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Black and white portrait of Faith Ringgold
as seen on faithringgold.com
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An
Interview with Faith Ringgold:
Question: What inspired you to
start the Anyone Can Fly Foundation? What is most meaningful about it?
Who does it serve?
Ringgold:
African-American artists suffer the same problems as all artists –
they are not represented in the mainstream of American culture because
art is not at the center of society. Art is not a popular thing. Most
people are not involved in the arts and do not know much about art or
the works of artists. African-American artists are likely to get lost.
The Anyone Can Fly
Foundation aims to keep alive the reputations of the great African
American artists so we continue to know who they are.
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The Foundation
offers grants to scholars to write about African-American artists, and
offers grants to teachers to go into the schools to teach children
about African-American artists.
We all know that
kids love art – it’s easy to teach them about art and artists –
but they never get the opportunity to learn about black artists. With
the Anyone Can Fly Foundation grants, now they can.
The website for
the Anyone Can Fly Foundation states: The mission of the Anyone Can
Fly Foundation is to expand the art establishment’s canon to include
artists of the African Diaspora and to introduce the Great Masters of
African-American Art and their art traditions to kids as well as adult
audiences. The Foundation is a 501©(3) charitable organization
supported by people devoted to the visual arts.
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To accomplish its
mission, the Foundation has initiated two programs: (1) The
Distinguished Artists & Scholars Lifetime Achievement Award to
honor master artists and scholars, and (2) the African-American
Timeline of Art History, which, under the direction of Trish Maunder,
Project Director, developed teacher’s presentation kits and arts
workshop materials (with lesson plans) on the great African-American
artists of the 20th century: Romare Bearden, Elizabeth
Catlett, Aaron Douglas and Jacob Lawrence.
The Foundation
offers two grants: the Professional Scholars Grant and the Art with
Kids for Elementary Schools Grant. The application deadline for 2006
is February 28, 2006. Grantees are selected without regard to race,
creed or color. See more information at the Foundation web site: http://www.artsnet.org/anyonecanfly.
Question:
In what way is jazz a recurring theme for you?
Ringgold:
I was brought up with all different kinds of music. Jazz has
always been important to me. I
think that slaves brought the music with them – I realize now that
that music was a way of talking, and music continues to be the center
of society. Its origin is African-American, but now it is so powerful
it is American music. I ask: How can you be a slave, and exploited,
and give the gift of music? Music insured that we stayed free. It
couldn’t be denied. Music is a life force. I try to interpret the
music in my work. You can’t see the music, but you can feel it. I
try to make it visible through my work.
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Echoes of
Harlem, 1980
Acrylic on canvas, dyed, painted & pieced fabric
96x84 inches
collection: Philip Morris Companies, Inc.
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Street Story Quilt #1, #2, #3 (triptych) 1985
Acrylic on canvas, dyed, painted & pieced fabric
90x144 inches
collection: Metropolitan Museum of Art, NY, NY
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Question:
If there were one thing you would say about art, the importance of
art, what would it be?
Ringgold:
Art allows individuals to have a voice. It’s a way of speaking and
communicating. Everyone has a need to make a mark and make something
visible. It’s an absolute necessity. Children start off making art.
They come into the world as artists and continue to be artistic until
about age10. Then the art making stops because they realize they are
revealing themselves - exposing themselves in a personal way.
Art-making makes them unique. They may not want to be unique; they may
want to be like everyone else. This is part of growing up and fitting
into the world. Some of us continue to be artists, to hold onto
art-making. Art is very, very important.
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Question:
What would you like people to remember about you? About your art?
About your life’s work?
Ringgold:
Whenever I hear that question, I always think of Dr. Martin Luther
King – he said he wanted to love somebody.
He had great love for people. I think that was one of the
things that made him great.
As an artist, I am
trying to communicate with people, not necessarily trying to please
them. I would like my work to live on as most artists do.
Question:
Why is it important for artists to work in series? Are you currently
working on a series?
Ringgold:
Yes, I always work in series. As an artist I was influenced by Jacob
Lawrence. He was a master of composition, and was able to translate
his ideas so beautifully into images and color.
He could make so many variations on a theme. There was no way
he could make just one image of his ideas – it had to be several
images. There’s more, and there’s more.
I like to work in
series. Usually when you start to say something,
It’s going to
take many pictures. When you work in a series, you can relax and
spread it out. I’m still working on my JAZZ Series and COMING TO
JONES ROAD Series. Both have to do with freedom
IN
CONCLUSION:
For
those who were lucky enough to hear Faith Ringgold speak at the
student reception December 1, 2005 at the Morris Museum in
Morristown, NJ, you know she spoke at length about the importance of
art for young people, and also about the influence the
African-American artist Jacob Lawrence had on her life and her work.
Ringgold
said she hopes that artists like Jacob Lawrence (and others like
Elizabeth Catlett, Aaron Douglas, and Romare Bearden), who have
struggled their whole life to fulfill their love of art and beauty
and freedom live on – and one way is through her Anyone Can Fly
Foundation.
Regarding
her legacy as an artist: Ringgold said she would like to continue to
work until she can’t work anymore. She references Romare Bearden,
who worked until his death in 1988 at the age 74, and she mentioned
Elizabeth Catlett, who is still alive, and working in her 90s.
Ringgold
says: I want to inspire people like they inspire me.
Please
go to her website at http:/www.faithringgold.com
and you will be inspired.
January 25,
2006, Nancy Egol Nikkal
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